Sunday, February 1, 2015
Pair of clappers with the head of the goddess Hathor Middle or New Kingdom? 2033 - 1069 BCE Ivory from hippopotomus teeth, Height: 35,40 cm.; Length: 7,40 cm. Louvre, # N 1479, N 1480 Traced from a photo by Heidi Kontkanon Andrea "Amberinsea" has a view of the front side of the other clapper I'm finding the imagery for the goddess Hathor rich and varied. These two clappers are curved, due to the shape of the hippopotamus ivory with which they were carved. Each end was originally decorated with the head of the goddess Hathor and a slender hand, although the one clapper has since lost its hand. In antiquity they would have been held together by a cord inserted through a tiny hole each has at the end. They would have been used as a percussion instrument by clapping them together. Clappers like these "seem to be the first musical instruments to have been depicted on vases, as early in the predynastic period. Clappers with hands appeared in the Middle Kingdom, yet it seems that the most beautiful of these objects can be dated to the New Kingdom, particularly those representing a head of Hathor. Music and dance played an important role in ancient Egypt..." (From the museum website) Bleeker quotes an excerpt from a "song sung by the seven Hathors to the great goddess Hathor":
"We laud thee with delightful songs,
(Printable version).
Additions of March 14, 2015:
Searching through the Global Egyptian Museum archives turned up two more examples of Hathor-headed clappers. Rijksmuseum Van Oudheden has a pair:
The Pilizaeus Museum has another example:
These two photos at
GEM
Searching the British Museum's website turns up another Hathor-headed pair:
The Cairo museum has two examples:
"Although the respective sister pieces of these two isolated clappers are lost, they nevertheless serve to illustrate characteristic types from among the many and varied examples known. The clapper with the broken handle shows a fairly well modelled woman's head surmounted by a right hand complete with fingernails. The other takes the form of a bent arm at the end of which a Hathor head with cow's ears, curled wig and bead collar supports a structure flanked by two horns. A tapering left hand, adorned at the wrist with two incised bracelets, elegantly extends the curve of the arm. The hole pierced through the bottom of this arm shows that the clappers were originally attached by means of a string."
"Priests and priestesses of Hathor owned these instruments and used them to keep rhythm at dances performed in the goddess' honor. In some rare examples, the head of a woman replaces that of Hathor." But perhaps, even though the woman is not wearing the cow's ears or the usual headdress of Hathor, this head still represents Hathor?
Quotes are from, and photo adapted from the one in, _Official Catalogue: THE EGYPTIAN MUSEUM CAIRO_, edited by Mohammed Saleh and Hourig Sourouzian, photographs Jüergen Liepe, translated by Peter Der Manuelian and Helen Jacquet-Gordon, © 1987 Verlag Philipp von Zabern, Mainz.
Rather telling, the Met Museum has a pair of clappers from the Amarna era, which have only the hands and not the head of Hathor. (For those not in the know, the Amarna era was the reign of Akhenaten, who tried to forbid worship of any other deity but the Aten.)
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