Friday, October 1, 2010
"Return to Classical Beauty"
8:54pm

There's a new exhibit at the Guggenheim called "Chaos and Classicism: Art in France, Italy and Germany, 1918-1936". Happily, there is an online website to accompany the show. Of course, the website is just a teaser, to get you to want to visit, send for the exhibition catalog or at least yearn for it to be a traveling exhibit. The website explains, "After the chaos and horrific destruction of World War I, a powerful desire for regenerative order and classical beauty emerged in Europe." Although there are only a few photos, they do list the over 150 pieces in the exhibit. The website features a time line from 1818-1936, and for 1919, they mention:

"Valori Plastici features Giorgio de Chirico's essay 'Il ritorno al mestiere' ('The Return to Craft'),
directing painters to the accomplishments of the past and the noble value of classical measure as
as cure for the 'deformations' wrought by modern artists."

That reminded me of a De Chirico painting I saw at the Art Institute:


The Eventuality of Destiny, 1927
Giorgio de Chirico, Italian, born Greece, 1888–1978
Oil on canvas, 57 1/2 x 45 in. (146 x 114.3 cm)
signed and dated lower left: G. de Chirico/1927
Gift of Mrs. Frederic Clay Bartlett, 1964.213
© 2008 Artists Rights Society (ARS), New York / SIAE, Rome

When I checked the artwork list, I noticed "The Eventuality of Destiny" is now at the Guggenheim.

Although I am not able to see this intriguing show, I am glad I at least saw this memorable piece last summer.

Sunday, October 3, 2010
"Triumphant Day"
8:41am

It didn't start out triumphant. It started out with intense tenseness. Our DSL online connection had been failing since May. We'd get dropped, we'd reset the modem, only to have it a little better, get dropped and reset again. We could no longer listen to internet radio without getting dropped and rarely could watch a smooth You Tube video.

We'd put off calling support because we didn't want to deal with someone who didn't know English well and who might know even less about internet connections. So we kept struggling, resetting the modem and struggling. Finally Julia got the idea it wasn't our phone line, but the modem. I looked on the Staples.com website to see if they sold DSL modems. They did, and the customer reports included a man in Casa Grande Arizona with Qwest DSL who reported success and much faster speeds than with the old 'Actiontec' modem that came with DSL sign up. Same climate, same company, I had some hope.

I checked availability, and yes, both Staples stores had them. So Thursday night, before going to the library, we got one. While I was at work Friday, Julia studied the package. The box informed us it lacked a 'line filter'. I checked the web, saw what one looked like, and what its purpose was. Then I checked Staples.com. Yes! Availability in Yuma!

So we picked one of those up, along with another tiny device called a 'splitter' which the store 'geek' advised. We got home, I checked online to see what further advice we might get. We learned our DSL username and password would be required. Neither Julia nor I could find this. I learned from hunting old emails that we'd got hooked up to DSL in March of 2005, but had made no record of passwords. Julia found less hints than that. She lamented, "how could I have not written this down?" I found a Qwest bill, which gave a phone number for customer support and Julia called.

She wrote the info down, and we fearfully started the process. I shut down the new computer while Julia shut down the old computer. First she attached the line filter to the phone and checked to see if we had dial tone. We did, so she began undoing the rest of the cables. The old set up required a router for two-computer access, whereas this modem has several ethernet cable inlets, no router necessary.

We got everything attached as best we could, and turned on the computer nearest the phone line. We put in the CD and followed its instructions, glad we'd got the username and password ahead of time, for these were indeed requested. A few minutes pause while the modem talked to the Qwest network, then the process seemed done.

We turned on the computer and brought up Opera browser. We tested webpages, first Wikipedia and then my latest journal entry, which was certain not to be in caching. It came up beautifully. The full size photo, tucked into web size by html commands, came up rapidly. Success!

But still we were afraid to rejoice. I turned the new computer on. After a few moments, a request came from 'network2', was this a 'home' connection and should we accept it? I accepted it and went to check websites on the new computer. I brought up Wikipedia and their 'photo of the day', ItalianMarketPhiladelphia.jpg, which seemed to load slowly, although Opera was telling us we had 155 KB speeds, faster than the old modem ever gave us. After the photo loaded, I checked its info, no wonder the load seemed slow, for it was 8,000 × 2,049 pixels big with a file size of 11.6MB! (What sort of marvelous camera gives a resolution THAT high?)

After a few moments, it dawned on us we'd finally achieved SUCCESS! We wooted loudly, and then went out to eat at La Fonda. We ate our chipotle fish tostadas with great gusto, so happy and now stress-free.


The modem seemed hot, so I put a repurposed grate from an unused soap dish under it, which raised it enough to allow air circulation underneath it

After we returned home with full tummies, we settled down for a nice long nap, emerging at evening. I felt in the mood for diversion, and settled on a movie, _Legend of the Guardians: The Owls of Ga'Hoole_. Usually we watch the first showing of the day, and I was a bit surprised by the price, which also included a 3-D fee. But it was so worth it. The artwork on this animated film is amazing. I agree with the critic who said, "Trust your gizzard, sharpen your battle claws and be transported into the magical and spectacular world of owls. The 3D visuals are breathtaking as are the details imbued in this robust fantasy adventure."

Afterwards, we emerged into the almost cool night air. I didn't want to end it, so we went for ice cream. Julia said, "We have ice cream at home!" But this was different. I enjoyed my chocolate/peanut butter cup gooeyness and Julia enjoyed her pumpkin ice cream sitting outside while lots of other people were also having fun under the gentle moon light. Yuma comes alive at night.

Wednesday, October 6, 2010
"Return Further in Time to Classical Beauty"
5:50pm

Twice in one week I learn about a new exhibit in New York City! Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance opened today at the Met and will be there until January 17, 2011. The tiny image of Gossart's painting at the exhibition webpage looked familiar. I read the tiny print and learned it had travelled from the National Gallery of Art. Hunting my photo archives, I happily found I'd grabbed a digital souvenir from our visit in 2007:


Portrait of a Merchant (Jerome Sandelin?), c. 1530
Jan Gossaert, Netherlandish, c. 1478 - 1532
Oil on panel, size : 63.6 x 47.5 cm (25 1/16 x 18 11/16 in.) framed: 83.8 x 68.6 x 5.7 cm (33 x 27 x 2 1/4 in.)
Ailsa Mellon Bruce Fund, NGA 1967.4.1

I wasted a bit of photo space, so the large size is only 1120x1400 pixels, but I did think to capture a detail of the man's hand:


What exquisite details!

The Met's tiny teaser tells us "Gossart was among the first northern artists to travel to Rome to make copies after antique sculpture and introduce historical and mythological subjects with erotic nude figures into the mainstream of northern painting."

Both the show at MOMA and this show are so enticing, I wish I could go!

But I like to think they could appear nearer to me, as did the 'European Bronzes', which I saw both at the Met and at the Getty.

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