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Thursday, June 7, 2007 C
"First Day of Exploration - Freer Gallery"
From there, we circled around to the Washington monument:
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After much rest in the relatively cool shade of the tent, I recovered enough to examine the little maps I'd brought with me. A little walk up 14th St to Jefferson St, and we would be at the Freer Museum of Asian and some Egyptian art. So we did that.
![]() Its main emphasis are items from Japan and China, as the banners inform us...
![]() Bodhisattva: China, probably Henan Province, Xiangtangshan Northern Qi dynasty, ca. 570, Limestone, traces of color
And what's to his side...
There are SO many beautiful items, which I will share later, but this stupa is particularily gorgeous. Next, of course, you know I must go to the small collection of Egyptian pieces: |
![]() New Kingdom, Dynasty 18 or 19, ca. 1539-1190 B.C.E. Wood (sycamore fig) and glass, H: 20.3 W: 16.1 D: 8.4 cm Gift of Charles Lang Freer, F1909.143 |
In 1909 Freer acquired this wooden face, which originally had been attached by wooden pegs to a mummy-shaped coffin. Inlaid with white, black, and blue glass, the eyes and eyebrows convey a vivid, lifelike impression. A ceremonial beard would have been attached in the square opening under the chin, indicating that the deceased was male. Mummy-shaped coffins made of wood with attached carved faces were used to bury members of the Egyptian nobility during the New Kingdom (1550–1070 B.C.E.). (Info found at museum website) |
(From Museum website): "Thin, rectangular plaques made of limestone, carved on one or both sides with figures in low relief, have often been interpreted as sculptors'models. They would have furnished patterns for artists to imitate, thus ensuring that the images or hieroglyphs carved on a tomb or temple wall would appear uniform in style and consistent in details even when executed by artisans trained in different workshops. Some plaques have raised borders incised at regular intervals. The markings were probably used to align a grid painted across the surface of the plaque. Artists could then outline the figure to be carved according to an established canon, or set of proportions, measured by means of the grid."
(From Museum website): Before I leave the Freer, I'll share one more Chinese piece: |
"Part lion, part unicorn, and having wings, the chimera is an imaginary animal believed to have evil-averting and protective powers. And though the chimera is an imaginary creature, this sculpture has a convincing presence. Shown in mid-stride, front paw extended, tail trailing behind, the chimera holds its chest high and bares its fearsome teeth, fangs and tongue. Feathered wings and sharp claws are so fine in detail that it looks as if this chimera is real. The only clue, perhaps, that it is fanciful is the pattern of fine scallops and curls engraved all over its body." (Info given on the accompanying placard) |
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